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New Report Shows That Over 79% Of Creatives Of Colour Have Lost Income As A Result Of The Pandemic

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This is a very concerning statistic and one which needs to be addressed on a mainstream Australian level. If you are a First Nations or a person of colour creative in Australia, you would already understand the struggles to be seen and be visible in pursuing your creative careers pre-pandemic, let alone being in the midst of the COVID-19 pandemic.

A new report will be launched by Diversity Arts Australia (DARTS) called:

LOST WORK 2.0 REPORT: THE IMPACTS OF THE PANDEMIC ON CREATIVES OF COLOUR AND FIRST NATIONS CREATIVES

The results of a second national survey of around 200 First Nations and CALD people and organisations in the creative sector reveals that during the COVID-19 pandemic, most are experiencing a loss of work, increased racism, stress, anxiety and depression, and an inability to pay bills, rent and their mortgage.

Over 79% of respondents said they have lost or expected to lose income as a result of COVID, with a staggering 85% of First Nations respondents indicating they had lost or expected to lose income due to COVID. Accordingly, DARTS has consulted with BlakDance and Koorie Heritage Trust in making recommendations for the specific needs of First Nations artists and creative workers. Income loss has far-reaching implications for First Nations and CaLD creatives, many citing worsening precarity and increased job cancellations due to public health orders.

 Here is a brief summary of the key findings, and yes it is extremely worrying stuff:

“The results of Report 2.0 indicate there is an urgent need for support and investment in First Nations and culturally diverse artists, filmmakers and arts workers at this time,” says Lena Nahlous, DARTS Executive Director.

“Our previous research already tells us that there was a significant underrepresentation of culturally diverse artists prior to the pandemic, and this has been further exacerbated over the past two years. We call on the Federal and state governments, organisations and philanthropy to provide support so the creative sector can withstand and adapt to the pandemic’s unpredictable ripple effects.”

“For First Nations artists, support needs to be increased and targeted towards small-medium First Nations-led businesses who are often doing the heavy lifting in ensuring artists are employed,” says BlakDance and Diversity Arts Australia Board Member, Professor Nareen Young. 

“Further to this, First Nations artists and creative workers need to be platformed and engaged, and procurement policies need to be put in place to ensure the sector can facilitate ethical Indigenous creative control over our art and storytelling. The arts must embed anti-racism into its policies and practices.”

The full report will be released soon, but here is where you can access the executive summary if you would like to check it out – click here!

Images via DARTS

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